{"id":2332,"date":"2022-01-28T19:36:17","date_gmt":"2022-01-28T19:36:17","guid":{"rendered":"http:\/\/mariesamuel.com\/?page_id=2332"},"modified":"2024-03-10T00:29:04","modified_gmt":"2024-03-10T00:29:04","slug":"praxis","status":"publish","type":"page","link":"http:\/\/mariesamuel.com\/en\/praxis","title":{"rendered":"Praxis"},"content":{"rendered":"\n

As a researcher-practitioner, I adhere to a vision of returning to the things themselves and of research using multiplicity as a tool, not for the purpose of precision of thought, since my practice embraces incoherence and always leads me towards an infinite density and plurality of subject facets, but rather as a means of touching on what appears to be essential in relationships to oneself and to others. For me, this essential is unilaterally unnameable.<\/p>\n\n\n\n

Rejecting the idea of knowledge that is precise and unambiguous, I aspire to practice creative research as a moral, aesthetic, metaphorical and transgressive scientific method, with multiple paths and voices. Whether I’m tinkering with things or working on collective creations, my experience of what might be termed “the essential” finds meaning and form when narratives multiply, gradually circumscribing its contours.<\/p>\n\n\n\n

Praxis and friendship<\/a><\/h2>\n\n\n\n

A researcher is expected to be clear, concise, precise, eloquent, confident and productive. Every day, I suffer the failure of saying and taking things head-on, and yet I manage to develop an artistic practice that is ever more gratifying and stimulating. Being the mother of a child excluded from the dictates of performance, and at the same time finding myself excluded from the dominant circuits of the arts economy, has not led me to a less creatively and intellectually enriching life. This shared happiness, on the margins with my daughter, gives me the courage to pursue a practice that welcomes failure, ambiguity, fragmentation and ambivalence.<\/p>\n\n\n\n

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Colloque Arts, soci\u00e9t\u00e9s et partage des savoirs.<\/em> Groupe de travail La Table renvers\u00e9e<\/strong>. Avec David Blatherwick<\/a>, Mario C\u00f4t\u00e9<\/a>, F\u00e9lix Denis, Romeo Gongora<\/a>, Nathalie Lafortune, Claude Majeau<\/a>, Christine Major<\/a>, Catherine Robitaille, Claire Savoie<\/a>, Anne Thibault et Susan Turcot<\/a> (50e anniversaire du Rapport Rioux) Mai 2019<\/figcaption><\/figure>\n\n\n\n
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Forum L’exp\u00e9rience<\/em><\/a>,<\/strong> par la Facult\u00e9 des arts de UQAM<\/a> et pr\u00e9sent\u00e9 au Mus\u00e9e d’art contemporain de Montr\u00e9al<\/a>. Avril 2019 . Table de discussion anim\u00e9e par Marie-\u00c8ve Beaupr\u00e9, Conservatrice de la Collection du MAC<\/figcaption><\/figure>\n\n\n\n
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Membre du Collectif Femmes aux cycles sup\u00e9rieurs<\/strong>, 2019<\/figcaption><\/figure>\n\n\n\n
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Pr\u00e9sentations Recherche-cr\u00e9ation, Collectif Femmes aux cycles sup\u00e9rieurs<\/strong>, 2019<\/figcaption><\/figure>\n\n\n\n
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S\u00e9minaire de cr\u00e9ation international \u00c9tat des lieux, Nous ne voit rien.<\/strong>
\u00c9cole des arts visuels et m\u00e9diatiques (UQAM) – \u00c9cole europ\u00e9enne sup\u00e9rieure de l\u2019image (\u00c9ESI-Poitiers\/Angoul\u00eame). Un s\u00e9minaire inspir\u00e9 des \u00e9crits de la philosophe Marie Jos\u00e9 Mondzain (\u00e0 droite sur la photo). 2018<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

As a researcher-practitioner, I adhere to a vision of returning to the things themselves and of research using multiplicity as a tool, not for the purpose of precision of thought, since my practice embraces incoherence and always leads me towards an infinite density and plurality of subject facets, but rather as a means of touching […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":29,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"http:\/\/mariesamuel.com\/en\/wp-json\/wp\/v2\/pages\/2332"}],"collection":[{"href":"http:\/\/mariesamuel.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/mariesamuel.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/mariesamuel.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/mariesamuel.com\/en\/wp-json\/wp\/v2\/comments?post=2332"}],"version-history":[{"count":1,"href":"http:\/\/mariesamuel.com\/en\/wp-json\/wp\/v2\/pages\/2332\/revisions"}],"predecessor-version":[{"id":2333,"href":"http:\/\/mariesamuel.com\/en\/wp-json\/wp\/v2\/pages\/2332\/revisions\/2333"}],"wp:attachment":[{"href":"http:\/\/mariesamuel.com\/en\/wp-json\/wp\/v2\/media?parent=2332"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}