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M.A. Visual and New Media Arts, UQAM 2021
<\/strong>Seminars : UdeM (experimental cinema) & EESI \u00c9cole Europ\u00e9enne sup\u00e9rieure de l\u2019image de Poitiers Angoul\u00eame, France (2018-2019)
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Gratuate Diploma Post-Secondary Education and Training. (UQAM) 2021
Microprogram Indigenous Studies (UQAM) 2024
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Film distributor : GIV \u2013 Groupe Intervention Video<\/a>

Exhibitions (selection)
2025 Artexte, Montr\u00e9al
2025 Vaste et vague, Carleton, Canada
2024 La table des plats perdus (collectif), Monument-National, Montr\u00e9al
2023 Exposer avec l\u2019auto\u00e9dition \/ To Expose the Self \u2013 Arprim, Montr\u00e9al2023 Maison de la culture Maisonneuve, Montr\u00e9al
2022 To Expose the Self – AdMare<\/a>, Iles-de-la-Madeleine
2022 Les bavardes, Galerie d\u2019art d\u2019Outremont, Montr\u00e9al (Maison de la culture)
2022 Zine Creation Table – Nuit rouge<\/a> – Monument National
2019 Pi\u00e8ce<\/em>, Rendez-vous du cin\u00e9ma qu\u00e9b\u00e9cois<\/a>, cat\u00e9gorie Art et exp\u00e9rimentation
2019 Je n’ai aucun savoir \u00e0 part mon exp\u00e9rience personnelle<\/em>, journ\u00e9e d’\u00e9tude Po\u00e9tiques de l’archive cin\u00e9matographique, UdeM, Montr\u00e9al
2019 RIMA, L\u2019\u00c9cart<\/a>, lieu d\u2019art actuel, Rouyn-Noranda
2019 Zine Creation Station, Nuit Blanche, CDEX, Montr\u00e9al
2018 Pi\u00e8ce<\/em>, Lanterne du 4001 Berri, Collabo GIV<\/a>, Oboro<\/a>, Ada x<\/a>, CQAM, Montr\u00e9al
2018 Sound project Relecture<\/em>, Radio pirate XX Files, Ada x<\/a>, Montr\u00e9al
2018 Chambre des morts et des nouveau-n\u00e9s<\/em>, Festival Le Maquis<\/a>, Ancienne \u00c9cole des Beaux-Arts, Montr\u00e9al
2017 Pi\u00e8ce<\/em>, Vid\u00e9o de femmes dans le parc, GIV Groupe Intervention Video, Montr\u00e9al et Centre Da\u00efmon, Gatineau<\/a>
2016 D\u00e9rapage, Printemps num\u00e9riques de Montr\u00e9al, Cin\u00e9math\u00e8que qu\u00e9b\u00e9coise<\/a>
2016 Black & White, Artmandat, (avec John Heward, John Francis & Christiane Ainsley) Barjols, France
2014 D\u00e9prise et repris\u00e9e, AUX VUES, Montr\u00e9al
2012 Fissiles, Espace Cercle Carr\u00e9<\/a>, Montr\u00e9al
2012 Une exposition enchant\u00e9e, \u00c9comus\u00e9e du Fier monde<\/a>, Montr\u00e9al
2012 Trait noir Espace blanc, Espace Projet<\/a>, Montr\u00e9al
2012 Jaune, Diagonale<\/a> centre d\u2019artiste, Montr\u00e9al<\/p>\n\n\n\n

Grants & Awards
2023 Canada’s Arts Council Grant
2019 Researcher Excellence Grant Rollande-Guertin-Bussi\u00e8re in Arts
2019 CSPE-UQAM Grant
2018 Travel Grant Offices jeunesse internationaux du Qu\u00e9bec (EESI, France)
2016 Travel Grant Offices jeunesse internationaux du Qu\u00e9bec (France)

Publications
2023 \u00ab Regards sur les sc\u00e8nes du zine et de l\u2019\u00e9dition alternative<\/a> \u00bb, edited and published by the CRILQ
2021 \u00ab Cacher pour r\u00e9v\u00e9ler : le bavardage comme entrave \u00e0 l’indicible dans une pratique de l’art dans la vie<\/a> \u00bb M\u00e9moire. Montr\u00e9al (Qu\u00e9bec, Canada), Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al, Ma\u00eetrise en arts visuels et m\u00e9diatiques.
2020 \u00ab Le montage d\u2019archive comme outil de r\u00e9paration<\/a> \u00bb, Hors Champ, Image(s) et parole(s)<\/em>. Janv-f\u00e9v. \/ mars-avril 2020
2018 \u00c9tat des lieux, ouvrage collectif \u00e9dit\u00e9 par L\u2019\u00c9cole Europ\u00e9enne sup\u00e9rieure de l\u2019image<\/a> de Poitiers Angoul\u00eame<\/p>\n\n\n\n

Art Residencies (with selection jury)
2025 Artexte, Canada
2025 Vaste et vague, Carlton, Canada
2023 Montreal Museum of Contemporary Arts – OBORO – Spectrum, Montreal, Canada
2023 Da\u00efmon, Gatineau, Canada
2022 AdMare, Havre-aux-maisons, Canada
2016 Artmandat, Barjols, France<\/p>\n\n\n\n

Presse
2022 Les Bavardes : de failles et de lumi\u00e8re<\/a><\/em>, Vie des arts, Juillet 2022
2022 Le bavardage de Marie Samuel Levasseur<\/a><\/em>, La Fabrique culturelle, 2 juin 2022
2022 Short article<\/a>, Revue <\/a>Ex_Situ
2022 News – online and printed.<\/a> Outremont Newspaper, 5 avril 2022<\/p>\n\n\n\n

Lectures & Conferences
2024 Cr\u00e9er, chercher et soigner, Conference given by the Place Courage collective. Acfas Congress, program \u201cResearch, creation and collaboration as a triple lever for decolonization: practices, issues and celebrations\u201d.
2022 Les contrepublics des Bavardes.<\/em> Conf\u00e9renci\u00e8re-invit\u00e9e dans le s\u00e9minaire Interdisciplinarit\u00e9 en art, UQAM
2022 Le zine comme forme multiple de micro-r\u00e9cit et comme outil de r\u00e9paration dans une pratique collaborative du bavardage<\/em>. CRILCQ<\/a> International Forum \u00ab Regards sur les sc\u00e8nes du zine et de l’\u00e9dition alternative \u00bb October 6 et 7, UdeM
2022 Cr\u00e9ation de richesse \/ Labor of Love<\/a><\/em>. Round table discussion about work and capitalism in printed art. Montreal’s Printmaking Festival.
2021 Cr\u00e9er et th\u00e9oriser une vie travers\u00e9e par l\u2019art collaboratif<\/em>. Conference, Facult\u00e9 des arts de l\u2019Universit\u00e9 Laval<\/a>
2021 Cr\u00e9er avec la th\u00e9orie<\/em>.<\/a> Cycle de conf\u00e9rence du Centre de recherche interuniversitaire sur la litt\u00e9rature et la culture qu\u00e9b\u00e9coises. Invited par Gabrielle Tremblay phd (CRILCQ-UQAM) et Benoit Jodoin phd (CRAL, EHESS-UQAM)
2019 Trauma et maternit\u00e9 : le montage d’archives comme outil de r\u00e9paration<\/em>, an essay presented as part of the Poetics of the Cinematographic Archive Study Day at UdeM on Godard’s Histoire(s) du cin\u00e9ma.
2019 Rencontre interuniversitaire des ma\u00eetrises en arts visuels<\/a>, Rouyn-Noranda
2019 Contradiction, perm\u00e9abilit\u00e9 et r\u00e9sistance: l\u2019\u00e9cole d\u2019art aujourd\u2019hui. Colloque Arts, soci\u00e9t\u00e9s et partage des savoirs.<\/a> UQAM
2019 Forum L\u2019Exp\u00e9rience<\/a>, Mus\u00e9e d\u2019art contemporain de Montr\u00e9al, organis\u00e9 par l\u2019AEMAVM UQAM<\/p>\n\n\n\n

Engagement
2022- Curator, NTS Centre for Arts and Social Innovation
2021 Guest Artist, Art Education Course: Theory, Research. Universit\u00e9 Laval<\/a>
2019- Teacher, Creation of artists\u2019 books & zines, Cours du samedi, UQAM
2012- Member of the Montreal Museum of Contemporary Art<\/a> team
2019 Membre collectif de recherche de la Table renvers\u00e9e<\/a>, \u00c9cole des arts visuels et m\u00e9diatiques, UQAM
2018- Membre du C.A. Eastern Bloc<\/a> (pr\u00e9sidente depuis 2022)
2019 Program Commitee’s member, Ma\u00eetrise en arts visuels et m\u00e9diatiques de l\u2019UQAM
2019 Editorial Board, ITEM<\/a>, revue \u00e9lectronique
2019 Print Version Editing of : Remember\/Resist\/Redraw – Graphic History Collective <\/a>
2018-2019 Co-curator of the student exhibition at MAVM UQAM as part of Art Pop<\/a>, 2018 edition and 2019 edition of the Festival Pop Montr\u00e9al
2019 Co-commissaire du volet Pratiques artistiques du Colloque Femmes & enjeux f\u00e9ministes : partage de savoirs. <\/a>By Collectif Femmes aux cycles sup\u00e9rieurs<\/a>
2012-2014 Board Executive Member Voies Culturelles des Faubourgs<\/p>\n\n\n\n

More
2020 Art included in the book D\u00e9sormais ma demeure<\/a> by Nicholas Dawson, \u00c9ditions Triptyque, Queer
2018 <3, in the Fanzinoth\u00e8que<\/a>de Poitiers’ Collection , France
2010 Art on the covers of the book La d\u00e9position des chemins<\/a> by Nicholas Dawson, \u00c9ditions La Peuplade



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M.A. Visual and New Media Arts, UQAM 2021Seminars : UdeM (experimental cinema) & EESI \u00c9cole Europ\u00e9enne sup\u00e9rieure de l\u2019image de Poitiers Angoul\u00eame, France (2018-2019)Gratuate Diploma Post-Secondary Education and Training. (UQAM) 2021Microprogram Indigenous Studies (UQAM) 2024 Film distributor : GIV \u2013 Groupe Intervention Video Exhibitions (selection)2025 Artexte, Montr\u00e9al2025 Vaste et vague, Carleton, Canada2024 La table des […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":95,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"http:\/\/mariesamuel.com\/en\/wp-json\/wp\/v2\/pages\/2263"}],"collection":[{"href":"http:\/\/mariesamuel.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/mariesamuel.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/mariesamuel.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/mariesamuel.com\/en\/wp-json\/wp\/v2\/comments?post=2263"}],"version-history":[{"count":3,"href":"http:\/\/mariesamuel.com\/en\/wp-json\/wp\/v2\/pages\/2263\/revisions"}],"predecessor-version":[{"id":2599,"href":"http:\/\/mariesamuel.com\/en\/wp-json\/wp\/v2\/pages\/2263\/revisions\/2599"}],"wp:attachment":[{"href":"http:\/\/mariesamuel.com\/en\/wp-json\/wp\/v2\/media?parent=2263"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}